Lisa’s NHS Portraits: Professor Chris

Professor Chris: Lisa’s NHS Heroes

This week features the portrait of Chris Brightling, a Senior Investigator for the National Institute for Health Research Senior Investigator and Clinical Professor in Respiratory Medicine at Leicester’s Hospitals.

His wife, Michelle, contacted Lisa Timmerman to paint one of the leading researchers in trials for COVID-19 treatments during the pandemic. This included not only in hospital, but the ongoing care and understanding how this disease impacts the health of people in the long term, after leaving hospital. Lisa expressed an admiration for Chris’s pioneering project:

“I loved the way he has his sleeves rolled up ready for business & I made the background white to stress his clinical role & to emphasise the #redforresearch where people can read more about it.”

Professor Chris: Work in Progress

The hashtag, ‘#redforresearch’, was a fundraising campaign by the St. George & Sutherland Medical Research Foundation (SSMRF) in 2020. By incorporating the colour red into one’s wardrobe and donations, the proceeds would help support very crucial medical research.

This theme of red has been carried through Lisa’s art series of NHS Heroes. Although this portrait is more paired back in comparison, it carries a very strong message. Similar to this World War I recruitment poster, this portrait probes further research and involvement with this charitable cause. From both images, their confident body language and friendly smiles suggest a reliable and aspirational man. Both campaigns are persuasive through direct eye contact with the viewer, encouraging participation and unification in this effort.

Professor Chris: Posed with his Portrait

To paint someone’s portrait can often be an intimate experience, as one is studying another’s facial contours and details over an extended period of time. To meet the real face of your art subject and to see the similarities makes an extraordinary encounter:

“Having studied his face thoroughly some time ago it was bizarre to see someone whose face I knew so well but I’d never met before walking towards me! But It was so lovely to meet Chris & his wife Michelle, they’re chuffed to bits with the portrait which makes me really happy. Prof Chris has been working incredibly hard on the research which will benefit treatments of COVID-19.

Thank you to [artist] Tom Croft for the initiative and Michelle for making us aware of what a wonderful & essential job Chris & his team are doing.”

To view more of Lisa’s portraits of NHS Heroes and read their stories, visit her website.

Lisa’s NHS Portraits: Abbie

Abbie: Lisa’s NHS Heroes

Lisa Timmerman’s third NHS portrait of this series was Abbie, a neonatal nurse at the Leicester Royal Infirmary. When this was painted, Abbie was pregnant and wanted the portrait’s focus to be her relationship with her baby during her experience of the coronavirus pandemic. A pillar of strength in many regards, this included going to baby scans alone due to Covid-19 restrictions. Abbie’s friend, Kate, contacted Lisa and told her of a selfless and caring individual:

“‘[Abbie] is super motivated, kind & passionate in her work & her life in general. Even at her wedding last year she did a [charity] collection for a little girl who she supports”.

This photo, in which Abbie is smiling downward and lovingly holding her baby bump, led to a portrait which celebrates new life and motherhood. Whilst in her uniform, It also commends the modern working-day woman, and the stressful, potentially harmful situation Abbie places herself in to help others.

Abbie: Neonatal Nurse at the Leicester Royal Infirmary

Relaying her own personal experience, Lisa recalls that painting Abbie was an emotional experience:

“As an artist & mother I found this painting very emotional to paint, thinking of Abbie & how I felt 29 years ago, pregnant with my 1st child.”

Abbie also spoke of her mentality whilst working through the pandemic, stating:

“Covid-19 represents a time where I had to battle with my internal mother instincts to keep my own child safe whilst having my moral compass guiding me to care for other mummy & daddy’s babies.”

Abbie wanted the portrait to represent her strength during this time, coping as a nurse and a first-time mother.

Abbie: Photo vs. Painting

Whilst Abbie’s portrait captures her true likeness, it is ceremonially adorned with flowers, rainbows and balloons. These details were inspired by Czech painter Alphonse Mucha, known for his idealised female figures who were often painted in nature. Rather than capturing a crisis, Lisa hoped to “capture something beautiful in this painting for Abbie, her husband and their first baby”.

‘Precious Stones and Flowers’ by Alphonse Mucha (1900)

When Abbie came to collect her portrait from Lisa, she was thirty-four weeks pregnant. She worked at the Leicester Royal Infirmary, in the neonatal unit, until she was twenty-eight weeks pregnant. At forty weeks, she returned to the Infirmary and gave birth to her first child.

This series of portraits has allowed us the privilege of hearing stories of those working for the NHS, who truly embody the word ‘hero’.

Abbie and Her Portrait

To view more of Lisa’s portraits of NHS Heroes and read their stories, visit her website.

Lisa’s NHS Portraits: Sylvia

Sylvia: Lisa’s NHS Heroes

Following Lisa Timmerman’s first portrait, Ruth Nurse, I plan to talk about each artwork of this series in detail. The second is Sylvia, an intensive care nurse at the Royal Sussex County Hospital in Brighton. This portrait combines two photos sent to Lisa of Sylvia in and out of her protective clothing. Lisa’s initial thoughts of these photos were:

“Her expression is so honest & says so much about dedication, loyalty & drive, I hope I’m able to capture it. One photo alone didn’t tell the story, so I’m going to try to combine both photos.”

Sylvia: Initial Sketches
Sylvia: In Progress

Although the masked figure’s identity is obscured, we can easily link them to the centralised figure from the red marks left on Sylvia’s face. These indentations further signify the uncomfortable duration that this uniform is worn. In relation to time, shown adjacent to the seemingly endless hallway, there is a clock. With no clear indication of time, fortified by the artificial lighting, this portrait was painted at a time when the future was uncertain. Lisa’s inclusion of the clock was to hail the hard work of Sylvia and silence those impatient for results:

“I also thought it was important to have the clock in to signify Sylvia’s night shifts & as a reminder of the journalists constant ‘Are we nearly there yet?’ questions during the daily government briefings.”

Lisa uses her signature-red background, emulating the warning stripes in ‘Ruth Nurse’. Using the simple colour palette of red, white and blue, each colour contains symbolic importance; Often to capture attention, red suggests danger. The colour white suggests purity, which may be referring to the sanctity and sanitisation of hospitals. Finally, blue represents the NHS in their well-recognised uniform.

This series perfectly captures the sacrifice and troubling times that we have experienced in the past year, and admiration for the individuals working in a highly pressurised experiment.

To view more of Lisa’s portraits of NHS Heroes and read their stories, visit her website.

Lisa’s NHS Portraits: Ruth Nurse

Ruth Nurse: Lisa’s NHS Heroes

Over a year has passed since Lisa Timmerman’s art series of NHS Heroes began.

When the COVID-19 pandemic led to the first national lockdown in March 2020, there was a large emphasis on thanking and supporting the NHS. Whilst risking infection, hospital staff were leading the fight against what Prime Minister Boris Johnson called the “invisible enemy”. Masks and gloves, as well as other layers of protective clothing, were first worn by NHS staff before becoming the social norm that it still is today (pending post-lockdown). I imagine these images often lacked that human connection which is so vital in critical care, and the identities of those behind the vacant PPE lost.

The online campaign, #portraitsfornhsheroes, was a way for artists to truly express admiration. It was an initiative instigated by Oxford based portrait painter, Tom Croft, to connect artists and NHS workers through social media. Whether it was direct communication, or often through family and friends, it enabled artists to paint and gift portraits during this time. Not only was this movement a way to capture this strange and uncertain time, but also to learn more about the experiences of those behind the paintings.

Lisa has since painted twenty NHS portraits, which are currently exhibited at the Leicester Royal Infirmary.

Lisa’s NHS Heroes: Leicester Royal Infirmary Exhibition
Ruth Nurse (50 x 50cm)

Lisa’s first portrait, ‘Ruth Nurse’, was a day surgery nurse before she was required to work in intensive care during this pandemic. Her daughter reached out to Lisa via Twitter, so that the portrait would be a surprise gift.

The original photograph is clearly taken in the midst of the action, as seen by the frantic co-workers behind Ruth. This further emphasised by the diagonal brush strokes which appear to break through the background colour.

Ruth Nurse: Work in Progress

Typically, Lisa does use red as a ground colour for many of her paintings. However, in the context of an emergency room, this colour emphasises alertness to danger, with the yellow stripes appearing to caution the viewer. The rest of the colour palette appears muted in comparison, as the nurse is swaddled in monotonous protective clothing.

Due to the ballooned shape of Ruth’s body, we are drawn towards her defined hands and eyes. Only a small area of her face can be seen, which appears darkened by the fluorescent lighting reflecting onto the suit and visor worn. We can only imagine the amount of discomfort in her numerous layers and lenses from her glasses and hazmat suit.

With her identifiable features hidden within her uniform, she can only be truly identified by the small text written across her chest; Ruth’s name and occupation reveals her individuality, yet it is also comforting for her patients to know the person behind the vast amount of PPE worn.

From this portrait, we can see the true diligence of ‘Ruth Nurse’ and her ability to work under these hazardous conditions. To quote Lisa, “Words are not enough for these wonderful people”.

To view more of Lisa’s portraits of NHS Heroes and read their stories, visit her website.

Gentle Reflection

Gentle Reflection (60 x 60cm)

**Words by Amber L-J**

The gentle reflection of the water, and of the mind.

Exercise has become so integral to lockdown life, with countryside walks becoming a social visit to those outside of family.

We walk for hours and chat along those canal paths, takeaway coffees and dog leads in hand. Our furry companions are so happy that we work from home, their need for affection and fresh air satisfied.

Most of us have struggled under the bizarre circumstances of a worldwide pandemic, often feeling like characters of a dystopian novel. Everyone has made sacrifices, but so rare is it that we share the same reason for doing so. There is a strange comfort in unity. Each begrudgingly slow step of the past year has now led to enormous leaps in modern medicine, and a new compassion within the community.

The end appears nigh, as we hope to throw our masks up like the graduation caps and celebrate a long, carefree summer.

As autumn returns, perhaps we should hold onto the masks from the bitter wind, and a bittersweet memory which we battled through.

**Articles continued on Page Two**

Lavender-Scented Hens

Lavender Scented Hens (30x40cm)

**Words by Amber L-J**

This is a scene that I hope to wake up to each morning. When my eyes are closed, I can transport myself to sunny days in the British countryside.

There are white beams of light through each window, not ceasing until late into the evening. The days are long and sleepily warm, as not to exert yourself; Whether that is from the sunbed with a book, or a picnic on the bright gingham tablecloth, or a dinner party where champagne flutes clink in celebration, you so often find yourself outside. As your skin browns, it seems as if your physicality absorbs your surroundings.

There is nothing better than that feeling of opening the door and the strong waft of French lavender, vibrant and quick to flower, greeting you. Its calming influence subdues the mind.

The hens of my garden are happy little souls, strolling up the gravel path, hoping to explore inside further. But I will be leaving my house to meet them, to follow their forked footprints from their morning venture.

I think of this memory all year round, appealing to my weary, wintery soul until the snow melts and the flowers flourish.

Coming home is so safe and familiar, but I am excited to go, to step out into the exquisite unknown.

**Article continued on Page Two**

When Spring Calls

New Beautiful Day (61 x 61cm)

**Words by Amber L-J**

White roses are traditionally associated with new beginnings, as white as a bridal gown. They may not be as loud as their coloured counterparts, but their understated beauty flaunts in their layered tones of white, playing with light and shadow.

On the first day of Spring, there is no overcast to be seen, but rather an empty sky and a scorching sun. The artist sees this from her studio and, after a long winter, is eager to capture the changing seasons. As if stealing a palette from the sky, her background is sapphire. In her ever-flourishing garden, the muted white roses provide that dramatic contrast that the artist desperately seeks. With a bed of sun-lounging roses below, only the fighting few climb upwards, their tightly closed buds unravelling, their faces exposed. She uses a thin brush to trace their intricate stems, before sculpting her white paint into oval shapes on the canvas.

When the seasons change once more, and we return to shorter days and colder nights, these white roses are a gesture of remembrance. A farewell to summer, but a promise to return, their purity expresses a quiet optimism for the future. This painting says, ‘I’m thinking of you’.

**Article continued on Page Two**

Reunited Once More

Paula & Chris’ Village Wedding (70 x 100 cm)

**Words by Amber L-J**

A joyous wedding scene, with no masks or social distancing in sight.

A historical scene from our lives before the life-changing pandemic that has eclipsed 2020 and 2021 (so far).

The invisible enemy, which dominates all media coverage and conversation, has often left us feeling as if there is no end in sight.

England has made incredible leaps in medical science with a vaccine, the chance for the most vulnerable in society to be protected from the unpredictability of COVID-19. There is a steady progression, with the government hoping to vaccinate fifteen million people by mid-February.

A small but growing light shines in the dark.

Hopefully there is an end in sight, and with that lots of celebrations to be had. Whether that is the revival of a lockdown birthday, or a wedding without a restricted guest list. There may be no special occasion in mind, it may be as simple as hugging your loved ones without fear.

On our hands and knees, lost, our eyes have adjusted to the darkness. On our feet now, we slowly follow a guiding light to the door of the future.

Normality will no longer be something taken for granted, but something that is cherished.

**Article continues on Page Two**

Up The Garden Path

Up The Garden Path (30x40cm)

**Words by Amber L-J**

There is nothing quite like the sheer panic of forgetting someone’s birthday, more specifically a birthday card, to truly mark the occasion.

Luckily, an artist works well under stress. As someone so often used to the pressures of meeting deadlines for clients, she quickly make haste; She grabs her art supplies and throw them down onto her work surface with an anticipatory thud.

This is no regular client, and there has been no debrief in this instance. But with her husband as the recipient, she knows him well enough to paint something of his taste.

Using a piece of paper, easily folded into a card, the artist begins to plot her canvas just in time for this important day. In her mind, she fondly envisions the summer garden.

The buzzing bees and singing birds are an orchestra in this quiet corner of the countryside. The wild flowers grow with such a vigour, they often overstep into the pathway. This is the pathway which the artist’s husband will walk after the working day. Crunching gravel underfoot, the bright bulbs are thrust forward by the wind and kiss his feet. The artist imagines his pace quicken upon his excitement of seeing balloons, or a colourful banner in the archway perhaps; His mind is animated with what surprises may be awaiting behind the front door of their home.

The artist plays out this warm and happy scene inside her head as she paints. Almost as if the mental image has been scanned onto the paper, it is complete. The artist reviews the finished birthday card, with the long, overreaching stems of the flowers and the path seemingly built around them. With dots of sapphire and rouge to imitate their swaying, she leaves the darkened doorway, as the beautiful, ambiguous end of one’s journey up the garden path.

**Article continues on Page Two**

Merriment from a Masked Invader

The Masked Invader: 47.6cm x 47.6cm

**Words by Amber L-J**

As I tend to my garden, I can make out the sound of mischievous scheming and clucking. The hens of my next-door neighbour, with their comical determination, are planning to infiltrate once more.

Their small size should not be underestimated, as these chickens are fierce, with a complete disregard of my attempts to keep the vegetable patch intact. It is a daily battle which occurs with clockwork precision.

Initially, they try to conceal themselves in the long grass. However, their clawed feet signal their presence, with their white and orange tail feathers peak over the top like sharks drawn to bait.

They near the end and realise that I have been watching them, arms crossed on the patio, with just a hint of a smile. Quickly, their subtle approach expires; They rush past me with such a brazen disregard, their eyes wide upon seeing the forbidden, emerald cabbage.

They peck at such speed, diminishing everything in sight before I am able to stop them in their tracks. It requires two people to herd these free spirits back to their home, with my neighbour and I laughing along the way.

However defiant, her chickens and their amusing antics are welcome in my garden.

**Article continued on Page 2**