Rose and Sage: The Curiously Colourful Canals

Rose and Sage: 30 x 40cm

**Words by Amber L-J**

Green is the colour of rejuvenation.
Rose is the colour of gratitude.
Together, much like the stream of water, these colours slowly drift downstream with a steady sunrise to guide them. Bouncing off the rosy canal boats, the combined pigment floods the pathway. In the glistening water, I see the abundance of life and energy here.

As if admiring their reflection, the trees sway merrily above the water, with the rhythm of rustling leaves as their accompanying music. They join branches with the equally arched trees on the other side of the water, forming a natural pathway to be voyaged by the inhabiting squirrels.

I walk underneath and listen for their morning chatter across the information (and physical) highway, with their speedy commute to either side as an affectatious display of agility.

As I reach the bend of the pathway, I see the boats moored. Free from civilisation, the community on the canals wrap up warm on the decks. Their gloved hands are enlaced tightly around a mug of tea in conversation with their neighbours, or a solitary fishing rod in sport, hoping to catch their next meal. The rods animate the water, as it ripples and merges various blocks of green.

Breathing in the fresh air, we each exhale small, white clouds which soar into the atmosphere.

It is almost like living inside the polychromatic dream of a painting.

**Article continued on Page 2**

A moment in time – Foxton, Market Harborough, Leicestershire, England

IMG_6425

A quick painting last week on paper of the canal close to my home – I wanted it to sparkle with light and the weather was dull so I had to use my imagination quite a bit!!

This painting is now framed and for sale in the ‘On Paper Exhibition’ at The Open Door Gallery on Church Street in Market Harborough, Leicestershire.

Painting Dreams

Image

 

‘Here Come The Girls.’  Acrylic on canvas. 2013

http://www.LisaTimmerman.co.uk

One of the greatest things ( of which there are many) of committing to being a painter as a full time profession is that in those first semi conscious moments of the day my subconscious mind is filled with work……images of paintings yet un-started. I can see them and I love them – the colours, the composition but most importantly the feeling of them is overwhelming. That is the challenge, to capture the joy of them.

 

When sitting down to paint them, the fear is overworking them, wasting time, over thinking it. They arrive so easily and confidently in my mind – if only my conscious mind was as confident!

 

2013 has been a good year for me. In my second year of painting I have sold 15 original paintings through ‘Open Studio‘, my website, my Facebook page & a privately organised ‘invite only‘ exhibition. My prices ( with my confidence) have doubled in a year and I have customers awaiting notification of new original work. 

Image

 

‘Roses in Oils’  Oil on canvas. 2013 

Having read ‘The Yellow House‘ by Martin Gayford about Van Gogh & Gauguin’s nine turbulent weeks in Arles as my starting point, I set out as a painter to fill my home with my paintings, being content to leave behind a body of work for my family with no expectations & only a desire to say ‘I woz ‘ere’! To sell 15 paintings, without the help of a gallery, in my second year has been an unexpected bonus to say the least.

 

In addition to this I have been awarded my first solo exhibition by ‘78 Derngate’ in Northampton city centre. Anyone who is familiar with this historic building renovated by Charles Rennie Mackintosh with its elegant art gallery attached will understand my excitement. I literally thought they’d made a mistake when I was chosen and I am honoured that they have such faith in me as an artist to give me this opportunity. They will be displaying my work – around 12 paintings for 3 months between July- Sept this year.

 

They will be exhibiting the dreams that I get onto canvas in the next few months as I currently have no paintings. In 20 weeks time I will have enough work to fill 78 Derngate & my own gallery in Foxton near Market Harborough for ‘Open Studios’ in September. Once I get going I’m very productive & have phases of putting my overalls on at 4 in the morning if I can’t sleep.

 

Ironically I haven’t been able to hang my own paintings on my walls at home but with the money I’ve earnt over the past 2 years I have been able to invest in the works of my contemporaries. This has given me so much pleasure and I now have beautiful original artwork by Janet Singer, Scott Bridgewood, Stephen Holmes, Kelly Gardner, Sheena Henderson & Imogen Skelley hanging alongside work previously bought from my mentor Paul Wright. My home is close to the way I imagined it being – filled with creativity, inspiration & character.

 

To me, it’s a strange world we live in, where a generation think nothing of spending hundreds of pounds on body art which will only deteriorate with time and finally decompose to nothing but may never consider buying a piece of art directly from an artist as acceptable value for money. 

   

Like most people, my life is compounded by the challenges of 21st Century living and life outside my paintings is not always a bed of roses but my home is now permanently enriched by the pleasure of owning other peoples original art. Their beauty & permanence is somehow reassuring.

Image

‘Sophie, Waiting.’  Acrylic on canvas. 2013

http://www.LisaTimmerman.co.uk