The Great Advantages of Painting Later in Life

I knew I was a painter for many years before I started producing paintings at the age of forty-eight. Before that, I read all I could about painting & established a social media presence in preparation for what I knew was coming.

I thought about it, between a full time occupation of transporting & nurturing our three sons, spread over twenty years. My husband was completely immersed in building his own business. He left at 7am & returned at 7pm in time to say “goodnight” to them when they were young, and cook for us as they became older.

Once I started painting, the great advantage was that I knew myself & had a lot of pent up energy!

I enjoyed the process of it, & what it did for my state of mind, so much that I really wasn’t preoccupied with what other people wanted me to paint. I haven’t stopped painting since.

The Hen House (30x40cm)

From my wealth of work & life experience stored up (with feelings of anger, sadness and joy), I knew what I liked & disliked, following my own mind’s natural revelations. I created my own world where I was truly happy, & no one could touch me. I found that I could paint such joy from experiencing such sadness.

I also resolved the anxiety surrounding mortality within myself; My paintings will far outlive me &, having suffered the life changing experience of friends’ deaths, this was really important for me. When I paint, this is one of my main motivations.

Petals & Shadows (61 x 100cm)

I picked up from where I left off working in the fashion industry (‘pre-computers’), but having children had changed my view of the world; I felt protective, & the fashion industry seemed immoral to me now. I originally went into this vocation because my Dad was a knitwear man, before I knew myself better. But I’m glad I did it, because my experience all feeds in to my paintings now.

I tried out other people’s painting styles, experimented & evolved my own thoughts through failings until I found a unique artistic style that I wanted in my own house. I had looked for similar paintings & I couldn’t find them elsewhere.

My friends & family were, & still are, so supportive. They were also, frankly, surprised that there was more to me than they thought, which came out in my paintings. I’m really gobby when drunk but learnt from an early age, growing up as a little girl in the Sixties & Seventies, to keep my thoughts to myself. I am fairly quiet as an adult, as a listener, a reader, an observer. I tend to see the best in people, until crossed.

Whispering Shadows

Painting has helped me release & reveal myself, connect with kindness & like minded people, divert thoughts & anxieties of external beauty to channel internal beauty.

I will paint until I die. It is is an ageless occupation which makes sense of my entire life. The ground colour flickering throughout my paintings is my life weaving itself in, to make a whole of something that is fractured & sensitive.

Sophie Waiting

An Introduction: The Art of Storytelling

Hi everyone! My name is Amber, and I am currently working with Lisa as her assistant.

After revamping this platform so that you guys are able to easily access and potentially purchase Lisa’s artworks, I thought I would introduce myself in anticipation of my upcoming posts on WordPress.

So, a little bit about myself.

I am a twenty-one-year-old graduate from the University of East Anglia with a History of Art and English Literature degree. Since then, I have been so fortunate to work with Lisa in a position not only relevant to my degree, but also one from which I have learnt so much already.

For many art consumers, it is important that the artwork tells a story. For something to become a permanent addition to your home, it needs to reflect your individual taste or style, and you need to love it for what it represents.

Visually, it provides a sense of escapism, like a permanent window into a beautiful summer day whilst we move into the colder winter months. Reading up about an artwork provides a different perspective that can educate and influence the consumer, which only adds value to their viewing experience.

I am very passionate about creative writing, having written many, many essays during my time at university! Recently, I have been writing artwork descriptions for Lisa’s artworks, which has really fuelled my imagination.
Working from Lisa’s art studio, I tend to have the artwork in front of me as I am writing as a reference.

For example, ‘Victorian Roses’, which sold this month:

Victorian Roses (60 x 60cm)

From my first look at this artwork, my imagination ran away with it!

My immediate thought was that the square composition was almost like a theatrical camera shot, with the fragile, white roses strewn across the cold, hard tiles. Because of the romantic connotations of roses, I envisioned a heated exchange between two lovers, perhaps one of betrayal. The colour of the roses, however, is symbolic of purity, innocence & new beginnings, further contributing to the dramatisation of this artwork.

Overall, I think the combination of artistic talent and a creative description was what led someone to fall in love with ‘Victorian Roses’.


Please do comment with any suggestions you have for further blog posts you’d be interested in reading, or any content that you would like to see in the future, from the inside story of working in Lisa’s studio.

‘Tones of Velvet Bohemia’

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My second solo exhibition, ‘Tones of Velvet Bohemia’ will be taking place at The Alfred East Gallery in Kettering mid November for 4 weeks, so I am working hard towards that at the moment. There will be around 20 new paintings on the theme ‘Tones of Velvet Bohemia’ in a variety of different sizes – the challenge was to decide on the name for the exhibition before I’d done the paintings!!

Neutral Buoyancy

A moment in time – Foxton, Market Harborough, Leicestershire, England

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A quick painting last week on paper of the canal close to my home – I wanted it to sparkle with light and the weather was dull so I had to use my imagination quite a bit!!

This painting is now framed and for sale in the ‘On Paper Exhibition’ at The Open Door Gallery on Church Street in Market Harborough, Leicestershire.

Whispering Shadows

Whispering Shadows

I have a vase of artificial white roses in my hall – I’m not really a fan of artificial flowers but these were long stemmed and elegant with a papery randomness about their petals.

Occasionally – and I haven’t worked out how to predict it – a shaft of light comes from between the trees outside and casts this poignant shadow across the wall. It is so beautiful and unexpected and only lasts a short time. It’s like being allowed into a magical world for a moment and then just as quickly, it’s gone.

‘Neutral Buoyancy’

Neutral Buoyancy

‘Neutral buoyancy’……weightlessness, feeling suspended, neither sinking nor floating.

A state of calm & balance, focusing on your own breathing and mortality, allowing you to fly slowly in a mainly silent, multidimensional, cushioned world. If sound comes, it comes from all sides, muffled and unsure of direction.

The light above is golden, the depths below are terror and intrigue. Slow steady breaths dispelling the anxiety of silently entering an uninvited other world….

 

I learnt to scuba dive in December and the feeling was so extraordinary I came home
and painted it. The words above describe how I felt and what I painted. I thought the painting needed some explanation as it is a little different from my normal style but I also thought that you don’t have to be a scuba diver to recognise some of these thoughts & feelings. I would be very interested in any feedback on this painting, I did give myself free rein & was a little surprised at how it turned out! Please feel free to comment.

Naming my first solo exhibition

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‘Beautiful Day’ Acrylic on canvas 40cm x 40cm

The ’78 Derngate’ Gallery have awarded me my first solo exhibition and wanted to know, for their advertising, what I’d be calling it. It runs from July 4th to September 28th this year in Northampton city centre.

Being new to this sort of thing I have agonised over this – and at the same time wondered if it is important at all?! I have swung from thinking, ” it really doesn’t matter, the paintings will speak for themselves” to, “it really does matter, the title could alienate people and put them off even wanting to view it!”

And so daily I have been coming up with, & noting down, different titles, trying to find a few words or a phrase that encapsulates this collection of 14 paintings that I have been working on day & night for the past 4 months.

I often paint roses but I also paint lavender, chickens and interiors – I paint my life, or at least the good bits, when the sunlight comes in and makes the mundane beautiful – for this exhibition I have even painted my kitchen sink.

So after making a final decision fifteen times, the deadline day arrived and I had to make the FINAL final decision. I sent over a jpeg of ‘Beautiful Day’ and asked them to call my exhibition, “Shades of an English Life”. I hope it doesn’t matter and at the same time I hope it makes people want to view it. Only time will tell.

“Shades of an English Life’ will be on display at ’78 Derngate’, Northampton from July 4th – Sept 28 2014 with a ‘Meet the Artist’ event on July 5th from 2pm-4pm. ( I, for one, will definitely be ready for a glass of wine.)

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‘Everything But’ Acrylic on canvas 40cm x 40cm

 

The first day of Spring!

Such a beautiful day on Sunday – so good to see blue skies again & made me long for my roses to be in bloom – so I painted them & called it ‘Beautiful Day’! I very rarely finish a painting in a day but this one belonged to that particular day, the first day of the year when the sky is so blue, the scent of freshly cut lawns is in the air & there is a defiant aura of hope in everyone’s step!

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  So, lots has happened since my last post! I

 

 

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So, lots has happened since my last post! 

 

I did the ‘Parallax Art Fair’ at Chelsea Town Hall, which was a wonderful & learning experience and a huge logistical challenge! 

 

I will go into the practicalities of doing such an art fair in a future blog but for now, suffice to say, 

 

“Was it worth it?’  Yes 

 

“Would you do it again?”  Yes, but probably not with Parallax. There are other art fairs at Chelsea Town Hall who, I am advised, market their art fair much more effectively.

 

 Parallax only charge for the stand and do not take a commission, basically you get what you pay for and I should have anticipated that. They made big promises on their marketing but nobody that I spoke to that had happened to wander in had known about it before they stumbled upon it and everyone at the Private View that I spoke to was there because another artist had invited them. However, it is indeed an amazing venue, as they promised.

 

‘Why was it worth it then?’  I now have my original paintings hanging in Russian family homes in Chelsea which would never have happened otherwise! There were two busy times and I sold a painting at both of these times.  

 

I was also blogged about by ‘The Alice Audley Chronicle’ which was unexpected and nice and I met lots of interesting people. I’ve also had follow up contact with interested galleries as I was one of the few artists that made sales.

 

I made contact and have kept in contact with other artists at the fair. A big bonus to have other artists to call on for advice!